I work with acrylic, oil and pastel, building my paintings through layering, friction and instinct rather than rigid planning. My process is physical and responsive — I allow colour to lead, to bleed, to collide, and to settle into forms that often reveal themselves late in the process.

Some works take shape as intense, confrontational faces; others dissolve into expansive fields of colour that hover between landscape and inner state. I am drawn to emotional tension — the space between vulnerability and force, control and release.

Across both figuration and abstraction, I aim to create a visual language that feels immediate and uncompromising.