Carina Reshmi’s practice moves between sculpture and Art Jewelry, examining the tension between finitude and permanence.
The skull operates as a structural form of inevitability — the limitation of the body, the endpoint of time. From this form, integrated cast crystal formations emerge, representing expansion, energy and transformation. They do not oppose the skull; they coexist within it.
The work is material-driven. Resin, pigments and constructed crystal structures create objects where geology intersects with anatomy. The crystal is not applied but formed from the same matter that shapes the base.
The sculptures position this existential tension in autonomous objects. The Art Jewelry works bring it into direct relation with the body. In both, material presence — surface, density and structure — carries meaning.
The practice exists between relic and contemporary object.
Between what ends and what continues.